Homeless Services Orange County 2025

Homeless Services Orange County 2025

Want to be more empowered to help someone when you see a need? Here’s a Resource sheet for giving assistance to those in the Orange County Area.
It can help with questions like:
    • Where can i send someone for immediate food or shelter in my city?
    • What time and day are food distributions?
    • Where can someone go for long-term housing?
    • Is there help for someone having a mental health crisis near me?

Click Document to View

Screenshot 2025-02-21 at 2.43.36 PM

Sections

  • Food Pantries
  • Medical
  • Drug Rehab
  • Mental Health Crisis
  • Clothing/Shower/Resources
  • Emergency Shelter
  • Housing (Long Term)
  • Employment
  • Outreach

Cities

  • North Orange County
  • South Orange County
  • Central Orange County
  • San Juan Capistrano
  • Brea
  • Santa Ana
  • Anaheim
  • La Habra
  • Irvine
  • San Clemente
  • Laguna Niguel
  • Fullerton
  • Orange
  •  Huntington Beach
  • Westminster
  • Mission Viejo
  • Rancho Santa Margarita
  • Tustin
  • Cypress
  • Costa Mesa
  • Placentia
  • Garden Grove
  • Lake Forest
  • Laguna Beach
  • Huntington Beach
  • Fountain Valley
  • Midway City
  • Stanton
  • Buena park

State of Homelessness in Orange County 2025

State of Homelessness in Orange County

Over the past month, I’ve been ensuring that I’m up to date with the latest research and progress on helping people who living in poverty in Orange County. I’ve attended events and done a fair share of reading. Here’s some key takeaways of what I learned from dozens of leading voices.

State of Homelessness Address (from United to End Homelessness). Statements from Vincent Sarmiento (2nd District Supervisor), Katrina Foley (OC Board Supervisor), Tim Shaw (Continuum of Care), and more

  • Key Takeaway: As a “housing-first” advocates, their first goal is to simply get someone housed. However, long-term low income housing is short in supply, expensive to build, and slowed by delays among collaborating sectors. It costs more to serve someone unhoused than to pay for their housing.

 

Giving Guidance to End Homelessness. A panel discussion from the CEOs of Second Harvest, Illumination Foundation, and Families Forward.

  • Key Takeaway: similar to the above, they see the path as providing housing as a basic right, but wait times and delay in development hinder progress.

 

Americans with No Address Documentary. Film on the faces of homelessness and different approaches to helping across the United States.

  • Key Takeaway: The US Federal Approach to homelessness is not working (so-called harm reduction programs and lack of mental health care). The holistic care programs of Rescue Missions show hopeful results.

Sacred Streets Statement

Artist Statement I begin on the street level, walking past tents, trash heaps, and soup lines on skid row, drawing materials in hand. I want to know the individuals from this community on a personal level, and the best way I know of connecting is to make portraits. To draw a person, in person, is for me a means of being present and attentive. I make the portraits on reclaimed objects from the very streets where I meet people. And in the end, I’m interested in the possibility of re-imagining  the world and the people I meet in terms of a deep and pervasive sacredness. The built space in which these portraits are placed further stands as a symbol of the beautiful collision of the sacred with the mundane. Its components are informed by scriptural descriptions of the most sacred of all spaces in the end of time where things are “made new.” Exchange For millennia, artists have created paintings and sculptures of saints, both to reflect on their lives and what they can teach us and to show honor back to them. For Sacred Streets, we invited viewers to interact similarly with the people represented in the portraits. As people spent time with the portraits and stories, they wrote down what they saw and received in these images. They placed them in the receptacles below the portraits they felt drawn to. After the show, these notes were given directly to the people to whom they were written. — JASON LEITH   Sacred Streets Team: Jason Leith — Artist, Director, Vision Jessica Airey– Public Relations Olivia Blinn– Photography Jessica Byrd– Building Project Manager Hannah Efron–Building Team Adam Hillyer– Video Jori Johnson– Building Project Manager, Coordinator Nicole Leever– Building Team Steven Reynolds–Web Design Norma Santamaria–Graphic Design Nathaniel Smith– Building Team, Design  

Skid Row Exhibit

[tabgroup]
[tab state=”active” title=”Symbols”]This temporary structure is being built to house the 12 portraits of the people I meet on the streets. It also stands as a symbol of the beautiful collision of sacred and earthly. By recognizing and arranging humble earthly objects in these specific dimensions, they represent a space of hallowed consecration. This construction is not about adding some specific quality to what is lacking, it is a matter of revealing life and vitality to what was there all along. Some of the materials include: cardboard, wood, metal, dirt, asphalt, tent material, clothing, newspaper, plastic bags, and chain link fencing. But just as the portraits, these materials will find new value, even beauty, as they are reclaimed and repurposed.[/tab]

[tab title=”Involvement”]This exhibition is being built primarily with the Skid Row community in mind. By putting it just outside of Union Rescue Mission on San Julian Street, the Skid Row community will have it right in their midst. There is much more in mind for this community than just drawing their portraits– one way this will all be coming together is by having them help us put the Structure all together in the days leading up to the show.[/tab]
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Process

[tabgroup]
[tab state=”active” title=”Process”]My process begins on the street level, walking past tents, trash heaps, and soup lines on skid row, drawing materials in hand, earnestly searching for the right person to engage with. All of these portraits were drawn sitting with the subject, face to face, on the streets. For me, to take time to sit and draw a person, in person, is a vehicle for connection, much of the time without any words at all. I  don’t want to just draw the people from this community. I want to know them on a personal level, and instead of donate food or money, I want to donate an ennobling, dignifying experience. By sitting with them eye to eye for hours, just taking in their presence and capturing their essence in artistic expression, an intimate exchange occurs– they are releasing themselves, bearing their lives in an act of transparency, and in turn, receiving a dignified expression of their being.[/tab]

[tab title=”Materials”]I draw the portraits on reclaimed objects that are meant to tell a story parallel to the people depicted, a story of being found again and renewed. As the portraits come to completion I integrate shapes, symbols, and materials that resemble traditional images of saints and icons you would see in a cathedral, usually placed as altarpieces or objects of veneration. In this way, the portraits further the concept of restored beauty and become a sacred calling.[/tab]
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